{"title":"New Zealand","description":null,"products":[{"product_id":"animalsofaotearoa","title":"Animals of Aotearoa","description":"\u003cp\u003e\u003cstrong style=\"color: #454545; font-size: 10.88px;\"\u003eDescription: \u003c\/strong\u003e\u003cspan style=\"color: #454545; font-size: 10.88px;\"\u003eAnimals of Aotearoa is a must-have compendium for children curious about New Zealand's wild animals. Based on the award-winning and best-selling `Explore and Discover' children's series about New Zealand's natural history, this book is packed full of illustrations and information about our native animals, both common and rare, as well as many well-known introduced animals. The book includes land and sea birds, frogs and lizards, many kinds of fish and other marine creatures, insects and invertebrates. This is an essential and beautiful reference book for all New Zealand kids. Children can pore over the pages on their own or read it with an adult, but with such engaging images and fun facts, this is a reference book we will all wish we'd had as a child.\u003c\/span\u003e\u003c\/p\u003e","brand":"Potton and Burton","offers":[{"title":"Default Title","offer_id":16634650984482,"sku":"9780947503895","price":34.99,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/0785\/1042\/products\/Animals_of_Aotearoa.png?v=1557455918"},{"product_id":"whyisthatlakesoblue","title":"Why is that Lake So Blue","description":"\u003cp\u003e\u003cstrong style=\"color: #454545; font-size: 10.88px;\"\u003eDescription: \u003c\/strong\u003e\u003cspan style=\"color: #454545; font-size: 10.88px;\"\u003eWhy is our place magic? Why are its islands shaky? Why are our mountains tall and our forests green? Why are some lakes so blue? What happens below the waves? Who used to live here? What changed when mammals arrived? What happens in the dark? In this fun-filled, fact-rich book, award-winning science writer Simon Pollard shares the magic, secrets, mysteries and marvels of Aotearoa New Zealand's natural world.\u003c\/span\u003e\u003c\/p\u003e","brand":"Te Papa Press","offers":[{"title":"Default Title","offer_id":16634654916642,"sku":"9780994146014","price":29.99,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/0785\/1042\/products\/why_is_that_lake_so_blue.png?v=1557458567"},{"product_id":"birdstories","title":"Birdstories","description":"\u003cp\u003e\u003cstrong style=\"font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px;\"\u003eDescription:\u003c\/strong\u003e\u003cspan style=\"font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px;\"\u003e A fascinating, in-depth account of New Zealand¿s birds, which spans their discovery, their place in both Pakeha and Maori worlds, their survival and conservation, and the illustrations and art they have inspired. In 1872, the first instalments of Walter Buller¿s A History of the Birds of New Zealand appeared. When completed, this became a landmark publishing event that described the place of New Zealand¿s birds in the Maori world, the first encounters Europeans had with our birds, the arguments over their classification, and provided a snapshot of their status at the time. Through Buller¿s books, the rest of the world got to know about New Zealand¿s unusual and distinctive birds, and New Zealanders, too, began to appreciate them. Geoff Norman¿s Birdstories carries Buller¿s publishing legacy through to the present day. He covers a range of our bird families and individual species, and provides an up-to-date picture of how these birds are regarded by both Maori and Pakeha, the backstory of their discovery, and their current conservation status. Extensively illustrated with historic illustrations and contemporary artwork, this is a beautiful, comprehensive publication that will help New Zealanders realise what a taonga we have in our birds.\u003c\/span\u003e\u003c\/p\u003e","brand":"Potton and Burton","offers":[{"title":"Default Title","offer_id":28548189782050,"sku":"9780947503925","price":69.99,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/0785\/1042\/products\/7ee8ec63972ec5caa845f9f2f8926689d648b18c.png?v=1557961624"},{"product_id":"hellodarkness","title":"Hello Darkness","description":"\u003cp style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 0.8em; line-height: 15px; clear: both; margin-top: 5px; color: #454545;\"\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eIt's now a year exactly since my urologist told me I had an aggressive cancer that was incurable. I was rushed into hospital and thus began a year of chemotherapy, radiation and all the ups and downs of a sickness that arrived in my life with the noise and terror of an old fashioned train. During that time I wrote about my experience on my Iphone, on Facebook, and I received in return an explosion of aroha on that most cynical of mediums - the internet. There was advice, commentary, encouragement, accompaniment. The posts became the basis for 'Hello Darkness'. I made something out of nothing - if near-death experiences can be said to be nothing. I learnt a lot. I am a different person to who I was then. And so a year passes and today I am grateful to be in good health. I no longer walk with a stick. I am gardening at the moment. The terrible pain of my last radiation vanishes in a glow of anticipation. So what is 'Hello Darkness' exactly? It's really my record of a remarkable year in which I found I had incurable prostate cancer that had metastised in my bones. I wanted my posts to express the minutest aspect of what I was feeling, seeing, experiencing. \"I am - for better or worse - ruthlessly observant.\" There were highs - and lows. I felt remorse for some things I had done in life as I looked backwards. But I felt this strange, almost bewildering pleasure in being alive. I had this crazy optimism that kept me going each morning. The fact is I felt lucky to be alive. I think when you state a general truth, it had a startling effect. We live in such a fucked-up world, truth is like a prism falling into a vat full of crap and that single drop changes what it comes into contact with and things become crystal clear. Steve Braunias at The Spinoff posted my FB writings. The posts went viral. Then 'Hello Darkness' won the 2018 Media Voyager Award for best personal essay. 'Wry, acute and confessional, but most of all wise.' Was I wise? All I was doing was trying to tell my truth. 'Hello Darkness' is full of colour photos and is my lively letter to the future, written under the shade of death but always grasping towards what's essential, true, real. That's what this book is: my report on experience, my personal diary made public. My survival guide. My truth. This is a book for anyone who wonders how they will respond when the end is near.\u003c\/p\u003e\n\u003cp style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 0.8em; line-height: 15px; clear: both; margin-top: 5px; color: #454545;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 0.8em; line-height: 15px; clear: both; margin-top: 5px; color: #454545;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 0.8em; line-height: 15px; clear: both; margin-top: 5px; color: #454545;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-stretch: normal; font-size: 0.8em; line-height: 15px; clear: both; margin-top: 5px; color: #454545;\"\u003e\u003cstrong\u003eAuthor Biography: \u003c\/strong\u003ePeter Wells is notable for his commitment to social change, whether writing one of the earliest pieces of gay fiction in which a NZ author published under his own name, or writing and directing the documentary 'The Mighty Civic' which helped stop the demolition of Auckland's Civic Theatre. In 1998, along with Stephanie Johnson, he founded the phenomenally successful Auckland Writers Festival. He is an award winning author and filmmaker and was awarded Member of the Order of New Zealand for services to film and literature.\u003c\/p\u003e","brand":"Mighty Ajax Press","offers":[{"title":"Default Title","offer_id":28548244078626,"sku":"9780473451622","price":39.99,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/0785\/1042\/products\/95e3133b241570122fd9a2d533b47d5d2244ebc9.png?v=1557962314"},{"product_id":"pastcaring","title":"Past Caring","description":null,"brand":"Otago University Press","offers":[{"title":"Default Title","offer_id":28596415004706,"sku":"9781988531342","price":39.95,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/0785\/1042\/products\/past_caring.png?v=1558557117"},{"product_id":"strugglewithoutend","title":"Struggle Without End","description":"\u003cp\u003e\u003cspan style=\"color: #404042; font-family: 'Avenir Next W05 Regular', Arial, sans-serif; font-size: 18px;\"\u003eThis is a revised edition of Dr Ranginui Walker's best-selling history of Aotearoa, New Zealand, from a Maori perspective. Since the mid-nineteenth century, Maori have been involved in an endless struggle for justice, equality and self-determination. In this book Dr Walker provides a uniquely Maori view, not only of the events of the past two centuries but beyond to the very origins of Maori people. In this updated edition Dr Walker has added new chapters covering the years from 1990, the flowering of the Maori culture and the growth of Maori political and economic power. Recent issues such as the foreshore and seabed legislation, the hikoi and Don Brash's Orewa speech are discussed. \u003c\/span\u003e\u003c\/p\u003e","brand":"Penguin","offers":[{"title":"Default Title","offer_id":28597069873186,"sku":"9780143019459","price":45.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/0785\/1042\/products\/struggle_without_end.png?v=1558562373"},{"product_id":"50yearsoftrophyhunting","title":"50 Years of Trophy Hunting","description":"\u003cp\u003e\u003cspan style=\"font-family: Roboto, sans-serif; font-size: 15px;\"\u003eIf you were to walk into the author's trophy room and silently start counting the mounted hunting trophies you would reach a figure of forty-five animals on display. This book - the author's fourth - is simply the story of the hunt for each trophy now hanging on the walls of his trophy room, each trophy a continuing memory of so many special and sometimes remarkable days of hunting. It was while hunting in Alaska, a way back in 1963, that Gary became a confirmed trophy hunter. In the pocket of his hunting jacket were permits issued by the Alaskan Department of Fish and Game that allowed him one moose, one caribou, one grizzly bear, one black bear, one Dall ram. Before squeezing the trigger on a prospective trophy Gary had to determine that indeed the animal he had in his crosshairs was a fine aged male, for after making a mistake in selection there was no second-chance permit. Long before departing on his once-in-a-lifetime trophy hunt in Alaska Gary read extensively, teaching himself what was internationally considered a trophy of a given species. His \"Alaskan Experience\" carried over into his hunting for all future hunts, always seeking the outstanding aged male. And, once a species had been secured the author seldom sought to better a trophy in hand, but instead sought different species in different places, different countries, his trophy hunting being his personal Permit to Travel, often with his wife Sue accompanying him. Gary's dedication to serious trophy hunting carried over into his professional hunting guiding career where daily he sought for his client only the very best to be found. Testimony of this dedication to quality is to be seen in Issue VI Volume 2 of the SCI Record Book of Trophy Animals where nineteen of the Top Twenty-five bull Tahr and sixteen of the Red stag were guided by Gary. Today the author unequivocally supports the formation of the recently established Game Animal Council and fervently hopes that within his lifetime the day will arrive in New Zealand where the average hunter will hunt for trophies not for tally.\u003c\/span\u003e\u003c\/p\u003e","brand":"Gary Joll","offers":[{"title":"Default Title","offer_id":28823750574114,"sku":"9781877566691","price":50.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/0785\/1042\/products\/Copy_of_Book_Template_79.png?v=1560639875"},{"product_id":"highcountrystationsoflaketekapo","title":"High Country Stations of Lake Tekapo","description":"\u003cp\u003e\u003cstrong style=\"color: #454545; font-size: 10.88px;\"\u003eDescription: \u003c\/strong\u003e\u003cspan style=\"color: #454545; font-size: 10.88px;\"\u003eLake Tekapo, with it's dazzling blue glacial water and backdrop of the Southern Alps, is one of the major drawcards of the South Island's Mackenzie Country. While most people's experience of Tekapo is the bustling tourist village, there is also another whole community beyond this settlement of iconic high-country stations that occupy the sweeping tussock land surrounding the Lake. This book tells the stories of these courageous and tough farming families, who choose to live and work in this spectacular, but unforgiving country with its extremes of cold and heat, devastating snowfalls and huge winds. Author Mary Hobbs, a long-time resident of the Mackenzie Country, has unravelled the history of eight stations from around Lake Tekapo - Godley Peaks, Lilybank, Mt Gerald, Richmond, Mt Hay, Tekapo, Balmoral and Glenmore. Using both old accounts and interviews with current station holders and many others with connections to these stations, she has assembled a set of stories that capture the flavour and character of a unique part of rural New Zealand. Heavily illustrated with both contemporary images and many old, previously unpublished photographs, this is a fascinating and beautiful book. It is a sister volume to Mary Hobbs's bestselling The High Country Stations of the Mackenzie, which focused on the stations around Lake Pukaki, and will be another much-loved addition to the legacy of New Zealand writing about the high country.\u003c\/span\u003e\u003c\/p\u003e","brand":"Potton and Burton","offers":[{"title":"Default Title","offer_id":28824168857634,"sku":"9780947503475","price":59.99,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/0785\/1042\/products\/print.jpg?v=1559787001"},{"product_id":"ajaxthekeadog","title":"Ajax the Kea Dog","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"section-left block-1\" style=\"display: table-cell; vertical-align: top; width: 21.714em; padding-right: 3.571em; font-family: arial, sans-serif; font-size: 14px;\"\u003e\n\u003cp class=\"product-subtitle\" style=\"margin: 0px 0px 0.5em; font-size: 1.143em;\"\u003eA working dog's life in the high country\u003c\/p\u003e\n\u003cdiv class=\"vm-product-fields\"\u003e\n\u003cdiv class=\"product-field product-field-type-S product-field-author\" style=\"float: none; width: auto; padding: 0px; margin-bottom: 0.5em; font-weight: bold;\"\u003e\n\u003cspan class=\"product-field-display\"\u003eCorey Mosen\u003c\/span\u003e\u003cspan class=\"product-field-desc\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-price\" id=\"productPrice436607\" style=\"margin-bottom: 1.786em;\"\u003e\n\u003cspan class=\"price-crossed\"\u003e\u003c\/span\u003e\n\u003cdiv class=\"PricesalesPrice\" style=\"font-size: 22px; font-weight: bold; color: #4bc7c7;\"\u003e\u003cspan class=\"PricesalesPrice\"\u003eNZD $39.99\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"vm-image-box\" style=\"overflow: hidden; margin-bottom: 1.643em; border: 0px;\"\u003e\n\u003ca title=\"9781760633615.jpg\" rel=\"vm-additional-images\" href=\"https:\/\/s3-ap-southeast-2.amazonaws.com\/assets.allenandunwin.com\/images\/small\/9781760633615.jpg\" style=\"font-weight: bold; text-decoration-line: none; color: #4bc7c7;\"\u003e\u003cimg src=\"https:\/\/s3-ap-southeast-2.amazonaws.com\/assets.allenandunwin.com\/images\/small\/9781760633615.jpg\" alt=\"9781760633615.jpg\" style=\"border: 0px; vertical-align: middle; max-width: 304px; width: 303.612px;\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"clear\" style=\"clear: both;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"spacer-buy-area\"\u003e\n\u003cdiv class=\"addtocart-area\"\u003e\n\u003cform method=\"post\" class=\"product js-recalculate\" action=\"http:\/\/www.allenandunwin.co.nz\/browse\/books\/other-books\" style=\"margin: 0px;\"\u003e\u003c\/form\u003e\n\u003cdiv class=\"clear\" style=\"clear: both;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"downloadImage\"\u003e\u003ca class=\"button button--color2 button--fullwidth\" href=\"http:\/\/assets.allenandunwin.com.s3.amazonaws.com\/images\/original\/9781760633615.jpg\" download=\"9781760633615.jpg\" target=\"_blank\" style=\"font-weight: bold; text-decoration-line: none; color: #ffffff; position: relative; display: inline-block; box-sizing: border-box; max-width: 100%; border: 0px; cursor: pointer; text-align: center; font-family: 'Open Sans', sans-serif; font-size: 1.143em; line-height: 1.4; background-color: #72838d; padding: 0.94em 2.813em 1em 0px; background-repeat: no-repeat; background-position: center center; border-radius: 0px; width: 303.612px; margin-bottom: 0.625em;\" rel=\"noopener noreferrer\"\u003eDownload cover\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"clear\" style=\"clear: both;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section-right block-2\" style=\"display: table-cell; vertical-align: top; font-family: arial, sans-serif; font-size: 14px;\"\u003e\n\u003cp class=\"product-short-description text-large\" style=\"margin: 0px 0px 1em; font-family: 'Open Sans', sans-serif; font-size: 1.143em; font-weight: 600; color: #41525c;\"\u003eThe highly illustrated, heartwarming story of conservation heroes, dog Ajax and his handler Corey, who traverse remote parts of the South Island tracking kea nests.\u003c\/p\u003e\n\u003cdiv class=\"product-description\"\u003eTogether, Corey and Ajax travel through the steep high country throughout the South Island searching out kea nests. Their part in the kea conservation effort is essential and both Ajax and Corey can rightly be called conservation heroes. \u003cbr\u003e\u003cbr\u003eThis heart-warming story describes how Ajax was trained to be one of the very few kea detection dogs in the world and tells of his various escapades in the unpredictable wilds of the steep back-country, including flying in helicopters, working in blizzards, heavy rain and dense fog, escaping from angry wasps and sleeping out in the bitter cold. \u003cbr\u003e\u003cbr\u003eThe strong connection between Ajax and Corey has proved vital to their survival and the important work that they do. Ajax is slowing down now and soon his high-country days will be over.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Allen \u0026 Unwin","offers":[{"title":"Default Title","offer_id":28825966018594,"sku":"9781760633615","price":39.99,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/0785\/1042\/products\/87e7a0e4d37015ae92c6f8d3546b1d152170301c.png?v=1559796944"},{"product_id":"50yearsyoung","title":"50 Years Young","description":"\u003cp\u003eThe Young Farmer of the Year has tested the knowledge and skills of rural men and women for 50 years. Join our winners, finalists and organisers as they share the history of rural New Zealand’s most prestigious competition, dubbed ‘the challenge second only to the land’.\u003c\/p\u003e","brand":"Massey Press","offers":[{"title":"Default Title","offer_id":28838771261474,"sku":"9780995102941","price":55.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/0785\/1042\/products\/Copy_of_Book_Template_80.png?v=1560640191"},{"product_id":"headlands","title":"Headlands","description":"\u003cp\u003e\u003cspan style=\"box-sizing: inherit; color: #9e9fa4; background-color: #f7f7f7; font-family: arial, helvetica, sans-serif; font-size: small;\"\u003eI\u003c\/span\u003e\u003cspan style=\"box-sizing: inherit; color: #9e9fa4; background-color: #f7f7f7; font-family: arial, helvetica, sans-serif; font-size: small;\"\u003en 2017, Ministry of Health figures showed that one in five New Zealanders sought help for a diagnosed mood or anxiety disorder, and these figures are growing. \u003c\/span\u003e\u003cspan style=\"box-sizing: inherit; color: #9e9fa4; background-color: #f7f7f7; font-family: arial, helvetica, sans-serif; font-size: small;\"\u003e\u003cem style=\"box-sizing: inherit;\"\u003eHeadlands: New Stories of Anxiety\u003c\/em\u003e tells the real, messy story behind these statistics ­– what anxiety feels like, what causes it, what helps and what doesn’t. These accounts are sometimes raw and confronting, but they all seek to share experiences, remove stigma, offer help or simply shine a light on what anxiety is.\u003c\/span\u003e\u003cbr style=\"box-sizing: inherit; color: #9e9fa4; font-family: Lato; font-size: 15px; background-color: #f7f7f7;\"\u003e\u003cspan style=\"box-sizing: inherit; color: #9e9fa4; background-color: #f7f7f7; font-family: arial, helvetica, sans-serif; font-size: small;\"\u003e \u003c\/span\u003e\u003cbr style=\"box-sizing: inherit; color: #9e9fa4; font-family: Lato; font-size: 15px; background-color: #f7f7f7;\"\u003e\u003cspan style=\"box-sizing: inherit; color: #9e9fa4; background-color: #f7f7f7; font-family: arial, helvetica, sans-serif; font-size: small;\"\u003eThe stories in \u003cem style=\"box-sizing: inherit;\"\u003eHeadlands\u003c\/em\u003e are told by people from all walks of life: poets, novelists, and journalists, musicians, social workers, and health professionals, and includes new work from Ashleigh Young, Tusiata Avia, Danyl McLauchlan, Selina Tusitala Marsh, Hinemoana Baker and Kirsten McDougall.\u003c\/span\u003e\u003cbr style=\"box-sizing: inherit; color: #9e9fa4; font-family: Lato; font-size: 15px; background-color: #f7f7f7;\"\u003e\u003cspan style=\"box-sizing: inherit; color: #9e9fa4; background-color: #f7f7f7; font-family: arial, helvetica, sans-serif; font-size: small;\"\u003e \u003c\/span\u003e\u003cbr style=\"box-sizing: inherit; color: #9e9fa4; font-family: Lato; font-size: 15px; background-color: #f7f7f7;\"\u003e\u003cspan style=\"box-sizing: inherit; color: #9e9fa4; background-color: #f7f7f7; font-family: arial, helvetica, sans-serif; font-size: small;\"\u003eEdited by journalist Naomi Arnold, \u003cem style=\"box-sizing: inherit;\"\u003eHeadlands\u003c\/em\u003e shows that some communities have better access to mental health services than others and it underscores the importance for greater understanding of the condition across the whole of society.  It is not a book of solutions nor a self-help guide. Instead, it has been put together for all individuals and whānau affected by anxiety. 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Along the way, the collection gathers up encounters with friends and strangers, and reflections on matters as various as Korean telenovelas, classic films, personal memories, ‘modern life’, real estate, ‘sex treats’, companion animals, a favourite hairdresser, finding joy, a grandmother’s politics and the rapper Psy.\u003c\/p\u003e\n\u003cp\u003eShorn of sentiment, direct and uncompromising, Janet Charman’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Intimacy Bus\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003earrives as an irrepressible affirmation of love, life and lesbian desire.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ethe heart quakes\u003cbr\u003einundate\u003cem\u003e\u003cbr\u003econtinue on\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003efrom ‘still watching?’\u003c\/p\u003e","brand":"Otago University Press","offers":[{"title":"Default Title","offer_id":43624661745698,"sku":"9781990048920","price":30.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/0785\/1042\/files\/Copy-of-Book-Template---2025-03-12T143011-723.jpg?v=1741743032"},{"product_id":"bad-archive","title":"Bad Archive","description":"\u003cp\u003e\u003cspan class=\"nectar-dropcap\"\u003eA\u003c\/span\u003et work in the Alexander Turnbull Library in Wellington, Flora Feltham was tasked to archive the diary of a nineteenth-century teenage girl. Feltham found a pressed flower between its pages – a precious surprise, making the historical girl tangibly real, but also a headache for an archivist: any organic matter threatens the sterility of the archival space. It was decided that the flower was to be kept – though sealed inside ‘a tiny clear envelope from acid-free plastic.’\u003c\/p\u003e\n\u003cp\u003eThis is the opening of Feltham’s expressively titled\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBad Archive\u003c\/em\u003e, a collection of thirteen essays thematically assembled around questions of memory, remembering, and personal history. To be a good archivist and ‘keep the scraps of the past from the bin of today,’ Feltham explains in her opening chapter, ‘On Archiving,’ requires precision, order, and pragmatism:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e[A]ccording to traditional archival theory, we archivists are ciphers for this truth and orderliness—we simply turn documents and objects over in our hands. We catalogue items according to common and sensible standards, applying the necessary categories. We write lists. We aren’t meant to imagine the deck of a ship or admit we bear witness to others’ secrets and that we tread silently in the footsteps of strangers.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFeltham describes herself as a ‘bad archivist’. She won the 2021 Letteri Family Prize for Creative Nonfiction at Te Herenga Waka (Victoria University), and as a writer admits to imagining, to ‘add[ing] muscle and tendon, facial expressions and emotion’ to the ‘bones of the story’ told by the straight facts of records and receipts. Her creative curiosity leads her to the ‘gaps’ and ‘absences’ in these records, to interpreting ‘what feels like an emotional, if not literal, truth—a way to open [her] arms and enfold all the library’s ghosts.’\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBad Archive\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis not interested in sterile record keeping, locking the past inside an airless vault, or sealing flowers in acid free bags: it wants to imagine who plucked the flower, and why, and what it might have meant to those who smelled it.\u003c\/p\u003e\n\u003cp\u003eIn these essays, Feltham offers lyrical personal archives of the people and places that have made up her life thus far: the library where she hid in toilet stalls to cry over her husband’s infidelity; the Newtown New World of her childhood where she sat on her mother’s hip while her mother ‘lived life one-handed’; her house ‘within smelling distance of Wellington’s Southern Landfill’ where ‘on certain still, pink evenings a thick, sticky aroma clings to [her] street’.\u003c\/p\u003e\n\u003cp\u003eHer portraits of the people around her are delicate and specific: her mother, who used to rescue her from spiders’ by ‘scoop[ing] them up with her bare hands’ with ‘bitten nails and freckled forearms’; her father, ‘a man of ordinary height’ with ‘reassuringly broad shoulders’ and the ‘thick midriff or someone who calls vegetables “rabbit food”’. Her partner, Pat, and their relationship, comprised entirely of the tenderly smudged images of personal memory:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eAnd while I’m writing, if I ever think my work is silly or sentimental, I will offer myself these images from my own relationship: Pat helping me pick out onion from a restaurant meal. Pat filling a hot water bottle. Pat stroking my hair while I lie down with my head in his lap. A smile spreading across Pat’s face, long-gone cigarette hanging from his lower lip, as he’s illuminated by a slowly rotating party light in green, blue and red.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHer snapshots are not the stuff of conventional archives, pinned to receipts, tickets, and birth certificates. They are entirely made up of moments and emotions that throughout history have been significant only to those experiencing them, destined to become gaps and absences in future records.\u003c\/p\u003e\n\u003cp\u003eThe act of remembering and the act of creating and re-creating memories is a guiding thread throughout the collection and the source of some of its most effective imagery. In ‘Proust Yourself’, Feltham tries to recall the summer she turned sixteen, when her mother was in a psychiatric facility in Dunedin and Feltham was left in the care of her older brothers. She plainly acknowledges the absence of any concrete memories: She can’t remember who drove their mother to the airport, what the family ate for dinner, or even where the money came from during that time.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eI thought about trying to write some cute images to represent this absence, but I couldn’t think of any that rang true. I can’t say that this part of my memory is like an empty ice-cream container or the wrapper after you’ve finished your Subway. It’s not a quiet lake at dawn or a dried-up river bed. Where my brothers should be sits a pristine void.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eOn her quest to recover some of these memories, Feltham retraces her steps in the Newtown New World, intimately familiar since her early childhood – except that the supermarket is being refurbished, and everything looks ever so slightly different than the way she remembers it. ‘Now, the new supermarket adds friction to my memories,’ she writes. ‘In an unfamiliar space I have to work harder to remember.’\u003c\/p\u003e\n\u003cp\u003eFeltham’s writing is both poetic and precise, evoking the quality of grainy family photographs where every background and face feels friendly and familiar, even if the album is not your own. Only a few of the essays are not quite as sharp or engaging as the rest: ‘Dekmantel Selectors’ tells of a few drug-fuelled weeks in summery Europe, and, in particular, a long and hazy weekend at a Croatian music festival. While its significance reveals itself in hindsight (in a later essay, Feltham and her husband face his drug use and its consequences), the essay is less compressed than others. Instead of a family album, we are presented with the exhaustively curated slideshow and meticulous step-by-step narration of any friend who’s ever returned with tales from hedonistic Europe. And yet, the essay adds to the character of the personal archive: not every memory can be made meaningful to everyone it is shared with.\u003c\/p\u003e\n\u003cp\u003e‘The Raw Material’ and ‘Tapestry Lessons’, detailing Feltham’s journey to become a weaver, offer another pertinent metaphor to describe her writing. The parallels between weaving and storytelling become apparent not just in the delight in one’s own creation – ‘And then, just like that: finished cloth’ – but also through the very act of crafting itself:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eBut it struck me then that the whole point of tapestry, despite the need for excruciating intention, is to disguise that idea; to hide the structure of the work; to make an argument for porousness; to let the weft wander; and to let colours flow and dissolve into one another. It feels philosophically optimistic that I can build something so infinite from something so limited.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cem\u003eBad Archive\u003c\/em\u003e, its occasional looser threads notwithstanding, is a beautifully intricate tapestry of personal memory. It dissolves its colours subtly, weaves threads into an archival artwork that only fully reveals its impact once the book is finished and the reader takes a step back to take in its whole – creases, fingerprints, pressed flowers and all.\u003c\/p\u003e","brand":"Massey University","offers":[{"title":"Default Title","offer_id":43696209559586,"sku":"9781776922062","price":35.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/0785\/1042\/files\/Copy-of-Book-Template---2025-03-26T121327-194.jpg?v=1742944433"},{"product_id":"careless-people-a-story-of-where-i-used-to-work","title":"Careless People - A Story Of Where I Used To Work","description":"\u003cp\u003e\u003cspan\u003eShocking and darkly funny, Careless People gives you a front-row seat to the decisions that are shaping our world and the people who make them. Welcome to Facebook. Sarah Wynn-Williams, a young diplomat from New Zealand, pitched for her dream job. 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